SCIENTIFIC INTERPRETATION OF THE CREATIVE PERSONALITY OF THE WRITER: AN INTERDISCIPLINARY STRATEGY

Abstract

Aim. The purpose of scientific research is the search for an interdisciplinary strategy in the process of scientific interpretation of the creative personality of the writer as the organic unity of its psychological and creative essence. Methods. The theoretical general scientific methods (empirical, empirical-theoretical) are used in the work, taking into account the generalization, formalization and abstraction of the material. This is necessary in order to develop a mechanism for multi-level analysis ‒ from the subject of creativity to his presentation in the literary work and from such a psychological and creative presentation to artistic interpretations, operating on such basic interdependent categories as «psychotype», «creator», «image». Results. An interdisciplinary approach is developed in which the writer’s figure is studied in several stages: from the definition of its psychological type as the basis for the formation of a strategy of literary and artistic creativity to the discovery of the style dominant of the creator, presenting the relationship between the work and the self-actualized creator, and from the perception of the psychologically ‒ the creative nature of the writer to the analysis of the artistic and interpretive models of the creator (the artistic image of the creative personality) proposed by the art, cinematography and theater. Scientific novelty. The article is for the first time articulated an interdisciplinary strategy of approaching the writer’s creative personality as a conditional movement of the study «psychotype → creator → image». Practical meaning. The material of the article is necessary for further study of the writer’s life-creativity, updating his creative personality as a key part of the historical-literary process.

Key words: interdisciplinarity, psychotype, creator, image, writer, creative personality.